Back in1992, Andre Harrell, then CEO of Uptown Records, told me that he had a new female singer from Yonkers who was going to become a superstar. Her cover of Anita Baker's "Caught Up in the Rapture," recorded at a local mall, had landed in his hands and Harrell's intern at the time, a young producer by the name of Sean Combs, had requested to take on this project. I was the newly-appointed associate editor of the newly-launched music magazine VIBE, and Uptown's publicist Lisa Cambridge gushed to me that this young artist's style was "glam meets hip-hop meets rock 'n' roll." And the hair... she promised it would be like nothing I'd ever seen before. So she sent over a cassette tape with "What's the 411?" written in Sharpie across the front. As soon as I pressed play and heard "Real Love," with those textured, beautiful and imperfect vocals, I was turned out. Her sound was both deeply powerful and eerily familiar.
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